Does Spring Hide its Joy Image
Metascore
82

Universal acclaim - based on 7 Critic Reviews What's this?

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  • Summary: The latest full-length release from composer Kali Malone features Sunn O)))'s Stephen O'Malley and Lucy Railton.
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Score distribution:
  1. Positive: 6 out of 7
  2. Negative: 0 out of 7
  1. Exclaim
    Jan 18, 2023
    80
    Despite complex construction that in the wrong hands can drain music of potency and impact, Malone, Railton and O'Malley sculpt otherworldly soundscapes and craft microtonal realms worth return expeditions, where timbres and harmonics flicker, ripple, scrape and hum — always converging and diverging, Does Spring Hide Its Joy is a beacon of possibility.
  2. The Quietus
    Jan 18, 2023
    80
    ‘v2’ is narrower in its oscillations, but all the more incisive, with zither-like textures and guitar screams that morph into sharp pulses and tinnitus-evoking tones. ‘v3’ radiates with a sense of melancholy and loss, and makes for a fitting final manifestation of what is another triumph for Kali Malone.
  3. Resident Advisor
    Jan 27, 2023
    80
    Though Malone's music can often feel still, one thing's for certain about Does Spring Hide Its Joy: it'll move you.
  4. Uncut
    Jan 18, 2023
    80
    As the music spreads, and the sound engrosses and uplifts you, the tacit message feels humble and lightly worn: one of consideration, empathy and collective strength. [Feb 2023, p.30]
  5. Mojo
    Jan 24, 2023
    80
    This is music that needs to be heard in as long a form as possible, so nothing breaks the immersive hallucinatory effect, and you can lose all sense of time direction and place. [Mar 2023, p.93]
  6. Pitchfork
    Jan 25, 2023
    80
    Rejecting escapism and celebrating invention, Does Spring Hide Its Joy is equally compelling and uncompromising. The music and the feeling of being absorbed in it is its own reward.
  7. The Skinny
    Jan 18, 2023
    60
    There are long stretches, particularly during the muted take on V1 in which the pieces are impressive rather than affecting, where you can marvel at Malone’s skill with timbre without being moved in any way. It leaves a sense that the album feels more like one for the most committed fans of all three artists, but one that, given the chance, has some astonishing moments.
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