New York Times reporters Megan Twohey and Jodi Kantor break one of the most important stories in a generation — a story that helped launch the #MeToo movement and shattered decades of silence around the subject of sexual assault in Hollywood.

After the collapse of Earth’s ecosystem, Vesper, a 13-year-old girl struggling to survive with her father, must use her wits, strength and bio-hacking abilities to fight for the future.

Armageddon Time is a deeply personal story on the strength of family, the complexity of friendship and the generational pursuit of the American Dream.

Nearly 5,000 years after he was bestowed with the almighty powers of the ancient gods—and imprisoned just as quickly—Black Adam (Dwayne Johnson) is freed from his earthly tomb, ready to unleash his unique form of justice on the modern world.

The passing of the Voting Rights Act of 1965 represented not the culmination of the Civil Rights Movement, but the beginning of a new, crucial chapter. Nowhere was this next battle better epitomized than in Lowndes County, Alabama, a rural, impoverished county with a vicious history of racist terrorism. In a county that was 80 percent Black but had zero Black voters, laws were just paper without power. This isn’t a story of hope but of action. Through first person accounts and searing archival footage, Lowndes County and the Road to Black Power tells the story of the local movement and young Student Nonviolent Coordinating Committee (SNCC) organizers who fought not just for voting rights, but for Black Power in Lowndes County.

Taking place in the polarized and violent Medellín (Colombia’s “City of Eternal Spring”) of the 1970s, the story tells of the life of prominent doctor and human rights activist Héctor Abad Gómez (Javier Cámara), a father who is concerned about both his children and children from less favored classes. After a devastating loss in the family, Héctor gives himself to the greater cause of public health programs for the poor in Medellín to the consternation of the city’s authorities.

Sister Ann (Jacqueline Byers) believes she is answering a calling to be the first female exorcist… but who, or what, called her? In response to a global rise in demonic possessions, Ann seeks out a place at an exorcism school reopened by the Catholic Church. Until now these schools have only trained priests in the Rite of Exorcism – but a professor (Colin Salmon) recognizes Sister Ann’s gifts and agrees to train her. Thrust onto the spiritual frontline with fellow student Father Dante (Christian Navarro), Sister Ann finds herself in a battle for the soul of a young girl, who Sister Ann believes is possessed by the same demon that tormented her own mother years ago. Determined to root out the evil, Ann soon realizes the Devil has her right where he wants her.

Four years after the events of last year’s Halloween Kills, Laurie is living with her granddaughter Allyson (Andi Matichak) and is finishing writing her memoir. Michael Myers hasn’t been seen since. Laurie, after allowing the specter of Michael to determine and drive her reality for decades, has decided to liberate herself from fear and rage and embrace life. But when a young man, Corey Cunningham (Rohan Campbell), is accused of killing a boy he was babysitting, it ignites a cascade of violence and terror that will force Laurie to finally confront the evil she can’t control, once and for all.

When Royal Air Force pilot Lt. Kate Sinclair (Charlotte Kirk) is shot down over Afghanistan, she finds refuge in an abandoned underground bunker where deadly man-made biological weapons – half human, half alien – are awakened.

After being resurrected by a sinister entity, Art the Clown returns to the timid town of Miles County where he targets a teenage girl and her younger brother on Halloween night.

On a remote island off the west coast of Ireland, lifelong friends Padraic (Colin Farrell) and Colm (Brendan Gleeson) find themselves at an impasse when Colm unexpectedly puts an end to their friendship. A stunned Padraic, aided by his sister Siobhan (Kerry Condon) and troubled young islander Dominic (Barry Keoghan), endeavours to repair the relationship, refusing to take no for an answer. But Padraic's repeated efforts only strengthen his former friend’s resolve and when Colm delivers a desperate ultimatum, events swiftly escalate, with shocking consequences.

When bounty hunter Ian Swan (Bruce Willis) is shot and presumed dead after disappearing in Maui waters, Swan’s son, Ryan (Blake Jenner), his ex-partner (Stephen Dorff), and a local detective (Praya Lundberg) set out to find his killers. After being threatened by a ruthless power broker (John Travolta), it appears Ryan and his team are out of options — until an excursion to the closely guarded island community of Paradise City unites them with an unforeseen ally.

While hanging out after school, Charlie and his friends discover the headquarters of the world’s most powerful superhero hidden beneath his home. When villains attack, they must team up to defend the headquarters and save the world.

Set in the international world of classical music, T?R examines the changing nature of power and its impact and durability in our modern world through the life of iconic musician Lydia Tár (Cate Blanchett), the first-ever female chief conductor of a major German orchestra.

After escaping a Michigan prison, a charming career criminal assumes a new identity in Canada and goes on to rob a record 59 banks and jewellery stores while being hunted by a police task force. Based on the story of The Flying Bandit.

Chicago, 1968. As the city and the nation are poised on the brink of political upheaval, suburban housewife Joy (Elizabeth Banks) leads an ordinary life with her husband and daughter. When Joy’s pregnancy leads to a life-threatening heart condition, she must navigate an all-male medical establishment unwilling to terminate her pregnancy in order to save her life. Her journey for a solution leads her to Virginia (Sigourney Weaver), an independent visionary fiercely committed to women’s health, and Gwen (Wunmi Mosaku), an activist who dreams of a day when all women will have access to abortion, regardless of their ability to pay. Joy is so inspired by their work, she decides to join forces with them, putting every aspect of her life on the line.

The year is 1920. The Austro-Hungarian Empire has fallen and what remains has devolved into social unrest and political turmoil. Peter Perg, a soldier of the Great War, returns to Vienna only to realize the place he once called home is now unfamiliar to him. Having spent years as a prisoner of war, Perg is disillusioned by this strange, new city distorted by the nightmares of war. His world is further upended when a gruesome series of murders targeting veterans begins to unfold. Feeling connected to the victims, Perg decides to investigate the mysterious crimes. A stranger in his own city, the looming threat of a serial killer begins to take its toll on him.

When the Primm family (Constance Wu, Scoot McNairy, Winslow Fegley) moves to New York City, their young son Josh struggles to adapt to his new school and new friends. All of that changes when he discovers Lyle – a singing crocodile (Shawn Mendes) who loves baths, caviar and great music-living in the attic of his new home. The two become fast friends, but when Lyle’s existence is threatened by evil neighbor Mr. Grumps (Brett Gelman), the Primm’s must band together with Lyle’s charismatic owner, Hector P. Valenti (Javier Bardem), to show the world that family can come from the most unexpected places and there’s nothing wrong with a big singing crocodile with an even bigger personality.

Mari and her friends broadcast their spiritual devotion through pastel pinks and catchy evangelical songs about purity and perfection, but underneath it all they harbor a deep rage. By day they hide behind their manicured facade, and by night they form a masked, vigilante girl gang, prowling the streets in search of sinners who have deviated from the rightful path. After an attack goes wrong, leaving Mari scarred and unemployed, her view of community, religion, and her peers begin to shift. Nightmares of repressed desires and haunting visions of alluring temptation become undeniable and the urge to scream and release her paralyzing inner demons is more powerful than ever before.

Max (August Diehl), a holocaust survivor, has lost all his family in the camps. Full of rage and with nothing left to live for other than revenge he helps the Jewish Brigade, soldiers under British command, to off the record find and execute Nazis accused of leading positions in the Nazi system. When the brigade is called off, Max follows Anna and a group of former partisans to Nuremberg, where they soon realize that they will not find redemption in the upcoming Nurem-berg trials. Led by charismatic leader Abba Kovner, they formulate the biggest revenge operation in history - "Plan A“. They infiltrate German water companies as undercover engineers with only one goal: to poison the drinking water in Nuremberg, Munich, Cologne, Weimar and Hamburg to kill six million Germans, one for every Jew slaughtered by the Germans.

Margaret’s (Rebecca Hall) life is in order. She is capable, disciplined, and successful. Soon, her teenage daughter, who Margaret raised by herself, will be going off to a fine university, just as Margaret had hoped. Everything is under control. That is, until David (Tim Roth) returns, carrying with him the horrors of Margaret’s past.

Focusing on unearthed military training footage of Army-built model towns called Riotsvilles, where military and police were trained to respond to civil disorder in the aftermath of the Kerner Commission created by President Lyndon B. Johnson, director Sierra Pettengill’s kaleidoscopic all-archival documentary reconstructs the formation of a national consciousness obsessed with maintaining law and order by any means necessary. Drawing insight from a time similar to our own, Riotsville, U.S.A. pulls focus on American institutional control and offers a compelling case that if the history of race in America rhymes, it is by design.

The sleepy village of Pangnirtung wakes up to a typical summer day. No School, no cool boys (well... except one), and 24-hour sunlight. But for Maika and her ragtag friends, the usual summer is suddenly not in the cards when they discover an alien invasion threatening their hometown. These teenagers have been underestimated their whole lives but, using makeshift weapons and their horror movie knowledge, they show the aliens you don't mess with the girls from Pang.

After witnessing a bizarre, traumatic incident involving a patient, Dr. Rose Cotter (Sosie Bacon) starts experiencing frightening occurrences that she can't explain. As an overwhelming terror begins taking over her life, Rose must confront her troubling past in order to survive and escape her horrifying new reality.

A divorced couple (George Clooney and Julia Roberts) find themselves on a shared mission to stop their lovestruck daughter (Kaitlyn Dever) from making the same mistake they once made.

The Velvet Underground created a new sound that changed the world of music, cementing its place as one of rock ’n’ roll’s most revered bands. Directed by Todd Haynes, “The Velvet Underground” shows just how the group became a cultural touchstone representing a range of contradictions: the band is both of their time, yet timeless; literary yet realistic; rooted in high art and street culture. The film features in-depth interviews with the key players of that time combined with a treasure trove of never-before-seen performances and a rich collection of recordings, Warhol films, and other experimental art that creates an immersive experience into what founding member John Cale describes as the band's creative ethos: “how to be elegant and how to be brutal.” [Apple TV+]

The Woman King is the remarkable story of the Agojie, the all-female unit of warriors who protected the African Kingdom of Dahomey in the 1800s with skills and a fierceness unlike anything the world has ever seen. Inspired by true events, The Woman King follows the epic journey of General Nanisca (Viola Davis) as she trains the next generation of recruits and readies them for battle against an enemy determined to destroy their way of life.

Alienoid follows two Goryeo Dynasty (918-1392) gurus seeking a legendary, time-bending blade as they unexpectedly cross paths with modern-era people hunting down a dangerous alien concealed inside a human’s body.

In 1930s Amsterdam, three close friends find themselves at the center of one of the most shocking secret plots in American history.

In the last days of WWII, a band of Allied soldiers trafficking Hitler’s remains out of Germany are ambushed by Nazi Wehrwolf fighters.

Following a massive heart attack, Randal enlists his friends and fellow clerks Dante, Elias, Jay, and Silent Bob to make a movie immortalizing his life at the convenience store that started it all.

Mad God is an experimental animated film set in a world of monsters, mad scientists and war pigs. A corroded diving bell descends amidst a ruined city, settling down upon an ominous fortress guarded by zombie-like sentries. The Assassin emerges to explore a labyrinth of bizarre, desolate landscapes inhabited by freakish denizens. Through unexpected twists and turns, he experiences an evolution beyond his wildest comprehension. Thirty years in the making, Mad God combines live-action and stop-motion, miniature sets and other innovative techniques to bring director Phil Tippett’s wholly unique and grotesquely beautiful vision to life. [Shudder]

The story of fifteenth century Czech icon and warlord Jan Zizka, who defeated armies of the Teutonic Order and the Holy Roman Empire.

When a lost hiker stumbles upon an erratic old man living in the woods, he could never have imagined the nightmare that awaits

Alice (Florence Pugh) and Jack (Harry Styles) are lucky to be living in the idealized community of Victory, the experimental company town housing the men who work for the top-secret Victory Project and their families. The 1950’s societal optimism espoused by their CEO, Frank (Chris Pine)—equal parts corporate visionary and motivational life coach—anchors every aspect of daily life in the tight-knit desert utopia. While the husbands spend every day inside the Victory Project Headquarters, working on the “development of progressive materials,” their wives—including Frank’s elegant partner, Shelley (Gemma Chan)—get to spend their time enjoying the beauty, luxury and debauchery of their community. Life is perfect, with every resident’s needs met by the company. All they ask in return is discretion and unquestioning commitment to the Victory cause. But when cracks in their idyllic life begin to appear, exposing flashes of something much more sinister lurking beneath the attractive fa?ade, Alice can’t help questioning exactly what they’re doing in Victory, and why. Just how much is Alice willing to lose to expose what’s really going on in this paradise?

While investigating a terroristic threat that goes viral online, Korean authorities discover that a suspect has recently boarded an international flight bound for the United States. When a healthy passenger on the same flight suddenly dies a gruesome death of unknown cause, panic erupts both in-flight and on the ground. With steadily decreasing fuel and international refusals to offer aid, the captain and crew will be forced to take unprecedented emergency measures in an attempt to save the lives of their passengers.

Emily (Aubrey Plaza) is saddled with student debt and locked out of the job market due to a minor criminal record. Desperate for income, she takes a shady gig as a “dummy shopper,” buying goods with stolen credit cards supplied by a handsome and charismatic middleman named Youcef (Theo Rossi). Faced with a series of dead-end job interviews, Emily soon finds herself seduced by the quick cash and illicit thrills of black-market capitalism, and increasingly interested in her mentor Youcef. Together, they hatch a plan to bring their business to the next level in Los Angeles.

A day in the life of a comic book artist and his family in post-Soviet Russia. While suffering from the flu, Petrov is carried by his friend Igor on a long walk, drifting in and out of fantasy and reality.

Two gay men maybe, possibly, probably, stumble towards love. Maybe. They're both very busy.

Hildy Good (Sigourney Weaver) is a wry New England realtor and descendant of the Salem witches, who loves her wine and her secrets. Her compartmentalized life begins to unravel as she rekindles a romance with her old high-school flame, Frank Getchell (Kevin Kline), and becomes dangerously entwined in one person’s reckless behavior. Igniting long-buried emotions and family secrets, Hildy is propelled toward a reckoning with the one person she’s been avoiding for decades: herself.

12-year-old Tinja is desperate to please her mother, a woman obsessed with presenting the image of a perfect family. One night, Tinja finds a strange egg. What hatches is beyond belief.

In the family drama Hold Me Tight, Vicky Krieps (Phantom Thread, Bergman Island) plays Camille (Vicky Krieps) is a woman on the run from her family for reasons that aren’t immediately clear. The film alternates between Camille’s adventures on the road and scenes of her abandoned husband Marc (Arieh Worthalter) as he struggles to take care of their children at home—a structure that keeps viewers uncertain as to the reality of what they’re seeing until the film's final moments. [Kino Lorber]

Kaepernick & America explores the intersection between Colin Kaepernick’s anthem protests and the reactions they spurred in the United States, revealing unique insights into America’s ongoing racial turmoil.

Sara (Juliette Binoche) and Jean (Vincent Lindon) have been in a loving, stable relationship for ten years. They are happy. He is her rock, someone she can hold on to. When they first met, Sara was in a relationship with Fran?ois (Grégoire Colin), Jean’s best friend. One day, Sara sees Fran?ois on the street. He does not see her, but she is overwhelmed by a sensation that her life could suddenly change. Fran?ois does indeed get in touch with Jean to suggest that they work together again. Before long, things are in danger of spiralling out of control. [Berlin]

Nate Gibson’s (Charlie Rowe) life is turned upside down after he suffers a near-fatal illness and is left a quadriplegic. Moving forward seems impossible until he meets his unlikely service animal, Gigi – a curious and intelligent capuchin monkey – who helps Nate find what he needs most: hope.

A comedy inspired by the remarkable true story of retiree Jerry Selbee (Bryan Cranston), who discovers a mathematical loophole in the Massachusetts lottery and, with the help of his wife, Marge (Annette Bening), wins millions and uses the money to revive their small Michigan town. [Paramount+]

A cinematic odyssey exploring David Bowie’s creative and musical journey.

Trapped on her family’s isolated farm, Pearl (Mia Goth) must tend to her ailing father under the bitter and overbearing watch of her devout mother. Lusting for a glamorous life like she’s seen in the movies, Pearl’s ambitions, temptations, and repressions all collide.

Sarah Obeng (Nana Mensah), a doctoral student at Columbia University, is weeks away from following her very married boyfriend to Ohio when her mother suddenly passes away. Her inheritance? King of Glory, a small Christian bookstore serving a Ghanaian immigrant community in the Bronx. Tasked with arranging her mother's funeral according to her family's traditional expectations, Sarah must simultaneously navigate her plans to relocate as well as the unexpected return of her estranged father, all while grappling with the bookstore. Aided by an only-in-New York ensemble of Eastern European neighbors, opinionated aunties, and a no-nonsense ex-con employee, Sarah must face her new responsibilities while figuring out how to remain true to herself.

Sarah Jo (Kristine Froseth) is a sensitive and naive 26-year-old living on the fringes of Hollywood with her disillusioned mother (Jennifer Jason Leigh) and influencer sister (Taylour Paige). Working as a caregiver and just longing to be seen, she begins an exploratory affair with her older, married employer (Jon Bernthal), and is thrust into a startling education on sexuality, loss and power.

Dr Alithea Binnie (Tilda Swinton) is an academic - content with life and a creature of reason. While in Istanbul attending a conference, she happens to encounter a Djinn (Idris Elba) who offers her three wishes in exchange for his freedom. This presents two problems. First, she doubts that he is real and second, because she is a scholar of story and mythology, she knows all the cautionary tales of wishes gone wrong. The Djinn pleads his case by telling her fantastical stories of his past. Eventually she is beguiled and makes a wish that surprises them both.

Miami’s top mob enforcer Cuda (Antonio Banderas) sacrifices it all to tear down the criminal organization he's spent his whole life building up when he discovers his boss Estelle (Kate Bosworth) is putting a young runaway’s life in grave danger. Now he has one last chance to make up for his past and find redemption - both for himself and his family - before the mob hunts him down for his betrayal.

Inspired by writer, director, and star James Morosini’s true life experience, I Love My Dad follows Chuck (Patton Oswalt), a hopelessly estranged father who desperately wants to reconnect with his troubled son, Franklin (James Morosini). Blocked on social media and concerned for his son’s life, Chuck impersonates a waitress online and starts checking in with Franklin. But things begin to spiral when Franklin falls for this imaginary girl (Claudia Sulewski) and wants nothing more than to meet her in person, as Chuck has inadvertently catfished his own son.

Lucien de Rubempré (Benjamin Voisin) is an ambitious and unknown aspiring poet in 19th century France. He leaves his provincial town, arriving in Paris on the arm of his admirer, Louise de Bargeton (Cécile de France). Outmatched in elite circles, Lucien’s naive etiquette prompts Louise to retreat back to her husband, leaving the young poet to forge a new path. Lucien makes a new friend in another young writer, Etienne Lousteau (Vincent Lacoste), who introduces him to the business of journalism where a salon of wordsmiths and wunderkinds make or break the reputations of actors and artists with insouciant impunity. Lucien agrees to write rave reviews for bribes, achieving material success at the expense of his conscience and soon discovers that the written word can be an instrument of both beauty and deceit. Xavier Giannoli’s sumptuous adaptation of Honoré de Balzac’s epic novel, Lost Illusions is a ravishing vision of the birth of modern media.

Charismatic rancher Phil Burbank (Benedict Cumberbatch) inspires fear and awe in those around him. When his brother (Jesse Plemons) brings home a new wife (Kirsten Dunst) and her son (Kodi Smit-McPhee), Phil torments them until he finds himself exposed to the possibility of love.

An aging film star (Alice Krige) retreats to the Scottish countryside with her nurse (Kota Eberhardt) to recover from surgery. While there, mysterious forces of revenge emerge from the land where witches were burned.

A decade after The Story of Film: An Odyssey, an expansive and influential inquiry into the state of moviemaking in the 20th century, filmmaker Mark Cousins returns with an epic and hopeful tale of cinematic innovation from around the globe. In The Story of Film: A New Generation, Cousins turns his sharp, meticulously honed gaze on world cinema from 2010 to 2021, using a surprising range of works — including Joker, Frozen and Cemetery of Splendor — as launchpads to explore recurring themes and emerging motifs, from the evolution of film language, to technology’s role in moviemaking today, to shifting identities in 21st-century world cinema. Touching on everything from Parasite and The Farewell to Black Panther and Lover’s Rock, Cousins seeks out films, filmmakers and communities under-represented in traditional film histories, with a particular emphasis on Asian and Middle Eastern works, as well as boundary-pushing documentaries and films that see gender in new ways. And as the recent pandemic recedes, Cousins ponders what comes next in the streaming age: how have we changed as cinephiles, and how moviegoing will continue to transform in the digital century, to our collective joy and wonder.